Cinderella Fairy Tale illustration - 1840's etching

Paper size - approx. 8" x 11-1/2"
Image size - approx. 3-1/2" x 6"

Circa mid 1840's

 Strong plate impression.

In very good condition.

Once there was a widower who for his second wife, married a proud and haughty woman. She had two daughters, who were equally vain. By his first wife, he had a beautiful young daughter who was a girl of unparalleled goodness and sweet temper. The Stepmother and her daughters forced the first daughter to complete all the housework. When the girl had done her work, she sat in the cinders, which caused her to be called "Cinderella". The poor girl bore it patiently, but she dared not tell her father, who would have scolded her; his wife controlled him entirely.

One day the Prince invited all the young ladies in the land to a ball so he could choose a wife. As the two Stepsisters were invited, they gleefully planned their wardrobes. Although Cinderella assisted them and dreamed of going to the dance, they taunted her by saying a maid could never attend a ball.

As the sisters swept away to the ball, Cinderella cried in despair. Her Fairy Godmother magically appeared and vowed to assist Cinderella in attending the ball. She turned a pumpkin into a coach, mice into horses, a rat into a coachman, and lizards into footmen. She then turned Cinderella's rags into a beautiful gown, complete with a delicate pair of glass slippers. The Godmother told her to enjoy the ball, but return before midnight for the spells would be broken.

At the ball, the entire court was entranced by Cinderella, especially the Prince, who never left her side. Unrecognized by her sisters, Cinderella remembered to leave before midnight. Back home, Cinderella graciously thanked her Godmother. She then greeted the Stepsisters who enthusiastically talked of nothing but the beautiful girl at the ball.

When another ball was held the next evening, Cinderella again attended with her Godmother's help. The Prince became even more entranced. However, this evening she lost track of time and left only at the final stroke of midnight, losing one of her glass slippers on the steps of the palace in her haste. The Prince chased her, but outside the palace, the guards had seen only a simple country wench leave. The Prince pocketed the slipper and vowed to find and marry the girl to whom it belonged. Meanwhile, Cinderella kept the other slipper, which had not disappeared when the spell had broken.

The Prince tried the slipper on all the young women in the land. When the Prince arrived at Cinderella's villa, the Stepsisters tried in vain. When Cinderella asked if she might try, the Stepsisters taunted her. Naturally, the slipper fit perfectly, and Cinderella produced the other slipper for good measure. The Stepsisters begged for forgiveness, and Cinderella forgave them for their cruelties.
 

George Cruikshank (27 September, 1792 û 1 February, 1878) was an English caricaturist and book illustrator, praised as the "modern Hogarth" during his life. Born in London, he was a member of the Cruikshank family of caricaturists and artists, the son of Scottish painter and caricaturist Isaac Cruikshank.

Cruikshank's early career was renowned for his social caricatures of English life for popular publications such as The Comic Almanack (1835-1853) and Omnibus (1842) but later in his career, his book illustrations for Charles Dickens and many other authors reached an international audience.

He created folios of prints with moralistic themes inspired by the temperance movement. The best known of these are The Bottle, 8 plates (1847), with its sequel, The Drunkard's Children, 8 plates (1848), with the ambitious work, The Worship of Bacchus, published by subscription after the artist's oil painting, now in the National Gallery, London.

For Charles Dickens, Cruikshank illustrated Sketches by Boz (1836), The Mudfog Papers (1837û38) and Oliver Twist (1838). On 30 December 1871 Cruikshank published a letter in The Times which claimed credit for much of the plot of Oliver Twist. The letter launched a fierce controversy around who created the work. While Dickens was the author, Cruikshank developed many ideas like those that appeared in the book and it is difficult -- if not impossible -- to distinguish his concepts from those of Dickens, which were developed at the same time. - Wikipedia